You can see how I made this quilt here, here and here. There are also a few pictures on my Instagram site. If you compare some of those other pictures to the above picture, you can see that I did a little quilt surgery in the improv part of the back to balance colors out a little more after I had the back together.
For the quilting, I decided on a walking foot design. Due to my shoulder injury, I haven't quilted a biggish quilt since last August, and large-scale FMQ still seems a little too demanding. I was going to divide the quilt diagonally and do four fairly equal quadrants of wavy lines, but then thought it might be more fun to put the diagonals off center.
I started by using an old tool I haven't had out in awhile--my flexible curve.
I could have drawn the lines freehand but this helped me visualize what I wanted to do. I used my Chakoner to draw light chalk lines along the flexible curve for my main lines. My walking foot has a guide with it so I used that to space the quilting.
I did find that doing concave curves (that's the name for the ones that curve in like the bottom of a bowl, right?) with the guide was not real accurate because the guide is somewhat behind the needle instead of next to it. I don't know why that is--maybe because it's meant just for straight lines? Anyway, I learned to mostly eyeball my lines and use the guide as just a guide. Huh, maybe because it is a guide?? They're a little wonky here and there, but I decided from the outset that I would not pick them out if they wobbled. The lines are about 1 inch apart. I had to really restrain myself to not fill in with more lines to make them 1/2 inch apart. I love dense quilting, but I wanted this quilt to be a fast finish and really soft. I had a love/hate relationship with the mint thread I used throughout the quilting--I thought it was too prominent and taking too much attention from the hexies--but in the end, I loved it. I was just viewing it from way too close while sewing.
I'm really pleased that I didn't have any pulling/distortion with the walking foot. I had really pinned this quilt a lot when I basted it because I didn't know at the time how I was going to quilt it. As I did each line, I moved pins as needed, making a row about 2 inches away from the previous stitching line. This took a bit of time, but it gave my arm a rest so that I could keep working (reaching to the left to rearrange the quilt as I sew is still difficult to do and fatiguing). The pins made a nice tight channel for the quilting.
I ordered some extra navy print fabric for the binding. I like that it has a diagonal print that looks like bias binding with a little extra interest because of the variations in the print. I'm still working to improve my binding skills. Working on the theory that I tend to stretch my bindings as I attach them (so that the quilt ripples on the edge), I took extra care to make sure that the measurement of the binding matched the length of each side of the quilt. After turning a corner, I measured, then pinned the binding at the next corner and few places along the way.
I stitched it by machine to the front and then whipped it down to the back by hand.
Here are a few close-ups:
|Extreme close-up of my initials and date|
And the quilt after washing (sorry, low evening light):
And now for the details about the quilt:
Design: Hexies from a plastic template made to my specifications by a local glass cutter. Longer diameter is about 9 1/4 inches and shorter diameter is a little over 8 inches.
Fabric: Paperie by Amy Sinibaldi for Art Gallery Fabric (mostly won in a giveaway from Hawthorne Threads), plus two aqua prints (one from Hazel line by Cluck Cluck Sew for Windham and the other an unknown to me). Backing is Jules and Coco Flower Garden from Joann.
Binding: Cut 2 inches wide and folded; 1/4 inch wide on front
Threads: Superior Masterpiece in Granite for piecing. Superior King Tut in Mint Julip for the quilting on the front and in Temple in the bobbin. (I considered switching the colors around, but now I'm glad I didn't.) Superior Treasure Hand Quilting in Old Lace for the hand part of the binding.
Batting: Hobbs Heirloom Premium 80/20 Bleached Cotton
Size: 43 1/2 by 53 inches before washing. 41 1/2 by 50 1/4 inches after machine washing on cold, drying on low.
Pieced on my Singer Featherweight; Quilted on my Singer 115 Treadle with a walking foot.
So what did I learn from making this quilt?
1. Sewing large hexies by machine is a blast!! And much easier than you might think.
2. It's ridiculous for me to agonize so much over the color of quilt thread. In the end it all works out.
3. Over-pin-basting a quilt takes time, but it's worth it.
4. A walking foot guide is really just a "guide" if I'm doing curves.
5. It's very freeing to not worry about whether quilting lines are accurate and well-spaced.
6 .I can restrain myself from quilting every last half inch of a quilt and still be happy with the result.
7. Taking time to measure the binding as I attach it seems to help me get a smoother edge.
8. My husband thought the quilting looked like the Piedmont. He remembered seeing pictures in his elementary geography book of the Piedmont area in the southeastern United States. When I looked up images online, I thought the quilting looked more like the Piedmont in Italy. But he's right. It does look like the Piedmont, wherever it is. If I were keeping the quilt, maybe I'd rename it Piedmont.
8. I am so glad I can quilt again!!
I plan to donate this quilt to Margaret's Hope Chest for the Mother and Baby program at Pine Rest Hospital. It will serve as a hug during therapy for a mother recovering from perinatal mood and anxiety disorder.
Time to get back to other quilt projects. The only outstanding WIPs I have are both Improvs. Hmmm. I wonder why they are always the last I work on. Lack confidence much?
I'm linking up over the next few days with linky parties at Crazy Mom Quilts, Confessions of a Fabric Addict, My Quilt Infatuation, Quilt Moderne (TGIFF) and Sew Fresh Quilts. I hope you have had a great quilty week. If you live in my part of the US, I hope the wind didn't blow you away! (And that you still have electricity.)